Mostrando entradas con la etiqueta Escuela de comunicación propia del Putumayo. Mostrar todas las entradas
Mostrando entradas con la etiqueta Escuela de comunicación propia del Putumayo. Mostrar todas las entradas

lunes, noviembre 02, 2015

Polinizaciones: Cross-Pollinating Experiences in Communications and Culture in Defense of Mother Earth

Original Source: Upside Down World

Polinizaciones started simply in 2007, as an initiative of an autonomous pollinator of the Beehive Collective to distribute Plan Colombia posters to communities engaged in land defense and directly impacted by the USA´s military intervention in the region as part of the “War on Drugs.” Since then, Polinizaciones has evolved and metamorphosed into a grassroots network of cultural workers and communicators that use Beehive Collective graphics, street theater, photo & video, murals, social cartography and other arts-based strategies in the promoting a culture of resistance, struggle and liberation in the defense of Mother Earth and the self-determination of indigenous, afro-descendent, peasant and marginalized urban communities impacted by resource extraction industries.




Origins


On April 16th, 2004, right-wing paramilitaries of the Auto-Defense Forces of Colombia (AUC), under the command of Jorge 40, massacred 13 indigenous Wayuu women and children in the community of Bahia Portete, in La Guajira Peninsula in northern Colombia and displacing over 600 to Venezuela. While at first many believed that the massacre was connected to the Cerrejon coal mine, whose port of export remains near Bahia Portete, last year Colombian President Jose Manuel Santos announced the creation of the latest National Natural Park exactly in the place of the massacre.  The new “National Park of Bahia Portete” confirms that tourism and green economy interests in the region have benefited from the violent displacement of the local Wayuu people.


In November 2006, a survivor of the massacre was on the first of numerous speaking tours in the USA these heinous acts and demanding justice and the right of a safe return for the displaced. One stop of this tour was at the School of the Americas Watch (SOAW) Vigil, held at the entrance of Fort Benning, Georgia. At this vigil the survivor interacted with the Beehive Design Collective invited an autonomous pollinator of Colombian origin, Entre Aguas, to accompany the Yanama (communal-collective work in the Wayuunaiki language) held every April in Bahia Portete since the massacre occurred.  The following year that Bee would move to Colombia and participated in organizing the 3rd and 4th Yanamas, which brought together delegates from across Colombia and the world to accompany the survivors so they could return to mourn their dead in the Clan burial ground, and to verify the continued danger of the situation in La Guajira, which to this day does not allow the displaced to return.


A Socio-ecological niche in need of filling


Apart from assisting the process of the Yanama, Entre Aguas found themselves with a lot of free time while living in the Colombian capitol of Bogotá, and started networking with different local processes. The first story-telling was held at the Centro Cultural Libertario (CCL).  The incorrect assumption that Colombian activists would already know more than a sort-of foreigner about the realities of the US intervention in the region, meant that instead of the traditional story-telling, Entre Aguas just explained the origins, process and history of the Beehive Collective. Quickly it became apparent that actually most people, even those involved in social movements, knew very little about these policies and the Plan Colombia graphic campaign as an educational tool was in great need.


Little by little word of mouth started to spread about free workshops explaining US intervention in Colombia and requests started coming in from all over Bogota.  Different community spaces like the CCL,  CreAcción Espacios, the Vivo Arte Festival and the main campus of the National University became main stays of the buzzings of Entre Aguas as well as new Colombian pollinators, who were so taken aback by the politically-charged graphics that a single Plan Colombia cloth banner was shared and moved all over the place within community spaces, schools, and universities, and many paper poster versions of the graphic were distributed wherever these pollinations took place.




Over time, the limited scope of presenting the graphic and leaving posters became one-sided and the pollinators began to diversify the approach.  The first exercise was in south Bogota, in infamous district of the city, Ciudad Bolivar. Within the neighborhood of Juan Pablo II, the child survivors of the “social cleansing” killings of the AUC of the late 1990s and early 2000s created a youth community space called Semillas Creativas (Creative Seeds), which houses a two classroom preschool, a community kitchen, community library, recording studio for local musicians, silk screen and photo lab.


During a series of workshops, the bees presented both the Plan Colombia and the Free Trade Area of the Americas (FTAA) graphics, followed by a drawing session where the children drew the images that they liked the most from the graphics, which were later transferred onto silk screens and printed on clothes. The final day was spent silk-screening all of the children´s and neighbor´s clothes, followed in the evening by a community stew that was shared with everyone, performances from local hip-hop and dance groups and a screening of the animated films, Vampires in Havana I & II.  Just as the pollinators were beginning to grasp the potential for how Beehive graphics and art projects would serve as educational tools for communities in resistance within the city, word started to spread and the requests for sharing started to come in from all over Colombia.


The First Polinizaciones Tours


Around the end of 2007 the pollinators in Colombia began accumulating many pictures of the different spaces they visited, and decided to create a blog to share short briefs and pictures of their experiences in these different spaces.  The blog helped propel this available resource to many more interested communities as well as keep our North American pollinator cousins informed of how far the Beehive graphics were traveling.


In the first couple of months of 2008 the first regional tour was held in the southwest departments of Cauca and Valle del Cauca.  It was the first of many times that the graphics would make rounds through the indigenous Nasa and Misak communities in Cauca, community spaces in the cities of Cali and Popayan as well as the University of Cauca and the University of Valle. In Cauca the Polinizaciones tour connected with the Regional Indigenous Council of Cauca´s (CRIC) Education program and worked alongside the teachers at both campuses of the Center of Bilingual and Intercultural Education and Formation (CEFIC), as well as the education and communication programs of the Misak Nation, to discuss how a graphic based resource could be easily appropriated as part of the schools´ curriculum and be used entirely in indigenous languages such as Nasa Yuwe of Namrik.


Meanwhile the blog started to grow in content as the articles began to deepen and widen the information, not only about the workshops but also give more contexts of the territories and communities, as well as local conflicts occurring. Soon after completing the first tour the requests began to pour in and the planning of different tours started. The need for more cloth banners became apparent.


During this time, two members from the Take Back the Land Movement (TBTL) in Miami, FL, USA expressed interest in going to Colombia and meeting with leaders from Afro-Colombian land defense processes. Linking up with Process of Black Communities (PCN), a small tour visited both the Pacific-coast port city of Buenaventura and the Andean Palenque (Black Liberation community from colonial era origin) of La Toma in the municipality of Suarez in North Cauca. The tour consisted of Plan Colombia graphic storytellings and sharing between the leaders of TBTL and the different host communities.


In Buenaventura it was seen firsthand how the country´s largest wealthiest port is also the home to some of the most impoverished Black communities, also stricken by State and paramilitary violence.  It was also seen how the semi-rural marginal community of La Gloria struggles against losing an 80 Ha forest the community depends on do their subsistence from being razed for a proposed port expansion, as part of the continental development project known as the Regional South American Infrastructure Integration Initiative (IIRSA), serving a neoliberal resource extraction agenda.


In La Toma the pollinators and TBTL leaders experienced a +400 year old community founded on Black Liberation, threatened by the Hydroelectric Salvajina Dam, the GMO pine plantations of the company Cartones de Colombia and the solicitation of company Anglo-Gold Ashanti to create an open pit gold. Bees and TBTL were lowered by rope and pulley deep into a 30 ft deep make shift gold mine where artisanal miners (no use of mercury or cyanide) labored as they have for hundreds of years.


That year there was also a tour in Venezuela, which visited public universities, community and public spaces in communities within Caracas, Choroní and Maracaibo, as well as the first visit the indigenous Wayuu communities along the Socuy River in the Perijá mountains, organized within the Wayuu Organization Maikiralasalii (“Not for Sale” in the Wayuunaiki language). The Socuy River is located over the same massive bed of coal that is under the Guajira Peninsula and Perijá Mountains in both Colombia and Venezuela.  Maikiralasalii has able to unite anarchists, true eco-socialists (not Chavista bureaucrats that self-identify as eco-socialists) and other anti-capitalist environmentalists in a movement that pressured President Hugo Chavez to retract his plans for coal mining expansion and prohibit the creation of new or expansion of existing coal mines.


In 2008 Polinzaciones tours also visited Colombian communities in Bucaramanga, Pamplona, Manizales, Cali, participated in the Medellin Social Forum and repeated an extended SW Colombia tour. The second SW tour returned to the Misak and Nasa communities from the first tour as well as the Afro-descendent communities of La Toma and La Gloria, where in addition to the Beehive story-tellings, social cartography exercises helped youth map their territories, focusing on strengths and weaknesses in land defense processes. This time other Nasa communities in Tierradentro were visited as well as indigenous Kokonuko communities in Cauca and Pasto communities in the department of Nariño.




While on tour in September, over 40 community leaders were killed throughout Colombia, the majority of those being indigenous leaders in Cauca.  On the 12th of October the Indigenous and Popular Minga (communal-collective work in the Quechua language) initiated with the CRIC  blockading of the Pan-American Highway in La Maria, Piendamo, Cauca, that grew to a nationwide Indigenous -led popular uprising that culminated in over 100,000 indigenous people and allies in the main Bolivar Park of Bogota demanding an end to State violence and the right to self-determination of Indigenous Peoples from all over Colombia.


Recognizing our capacity: from touring to local processes


The capacity of pollinators to maintain tours was exhausting and the need to base our efforts in local processes became important to strengthen these local land defense and liberation. While Beehive pollinators in North America have always freely supplied the efforts of Polinizaciones with an endless supply of posters that are mostly given for free to the communities that Polinizaciones collaborates with, the need for large cloth banners was and is always needed to be able to supply communities in resistance with educational materials that support the efforts of territory defense. Through an Atlantic Coast North American tour in 2009, Polinizaciones was able to raise funds to print fourteen large cloth Plan Colombia banners that are currently located and used in different communities such as both campuses of the CEFIC, La Toma, La Gloria, the Pasto community of Potosí, and with Maikiralasalii.


Around the same time the main pollinators in Colombia start to commit themselves to regional processes, putting tours on the back burner to focus on developing local processes. A pair of pollinators that were active in Cauca formed the Colectivo Colibrí (Hummingbird Collective), which in addition to using Beehive graphics, use puppets, street theater and literacy promotion to work with children in indigenous Misak and Nasa communities that are all facing the challenges associated with foreign companies trying to steal land for mining, mono crops and water privatization.   They seek to further develop the understanding of these threats and create spaces were these children can participate and contribute to the defense of their territory.


Another pollinator, Tjesi, who had already been working in the Amazonian region of Putumayo (the territory that gave birth to the Plan Colombia graphic in 2002) using Beehive graphics and film screenings, along with the participation of communities from the indigenous Inga, Kamsá, Cofán, Siona and Nasa Nations, formed the Intercultural Communication School of Putumayo, which continues to develop communication strategies such as maps, photography and audiovisual production, but also traditional communication modes (song, dance, paint, traditional medicines, rituals and ceremonies) to combat the threats these communities face in the region such as oil exploitation, mining, aerial fumigations of glyphosate, and the presence of all armed actors of Colombia´s armed internal conflict.


Towards the end of 2008 then Colombia President Alvaro illegally handed over 9,500 Ha of land in the southwest department of Huila to the multinational company Endesa-Emgesa for the construction of the Quimbo Hydroelectric Project.  One village impacted by the 8,500 Ha reservoir is the community of La Jagua, where some of Entre Aguas' family is from. Since then the focus of Entre Aguas´ pollinations have been in their own region, impacted by the Quimbo Hydroelectric Project and the Emerald Energy oil-company through the local resistance of the Association of Affected Peoples of the Quimbo Hydroelectric Project (ASOQUIMBO). ASOQUIMBO is part of the Ríos Vivos (Living Rivers) Movement- Colombia, the social movements bring together Native, Afro-descendants, peasants, fisher and artisanal miner peoples in Colombia directly impacted by the construction of hydroelectric dams. None-the-less, even with personal priorities in Huila, the pollinations in Wayuu territory were and are still maintained.


In the past few years Polinizaciones has been focused in Huila, Putumayo, La Guajira, Cauca and Nariño.  Since the completion of The True Cost of Coal and Mesoamérica Resiste graphics the tool kit shared with communities has grown. In 2013 Polinizaciones was part of the Ríos Vivos delegation and coordination of the V Gathering of the Latin American Network Against Dams (REDLAR) which was held in Retalteco, Petén, Guatemala, where murals were painted with local Ladino and Mayan youth reflecting on creating collective visual expressions rejecting the construction of hydroelectric dams along the Usumacinta River.


In 2014 the Museum of Antioquia in Medellin invited Polinizaciones to an artist residency as part of the exposition called Contraexpediciones (Counterexpeditions), with peasant and indigenous Embera Chamí 8th and 9th graders of the school of San Bernardo of the Farallones of Citará.  The residency consisted of two weeks of territorial hikes and design workshops resulting in 8 murals within the community as part of the local struggle against gold mining.  Following the residency Polinizaciones was part of the opening panel of the exposition and the journey home to Huila was a Mesoamérica Resiste graphic campaign tour throughout different urban, peasant, and indigenous communities in the departments of Antioquia, Caldas, Valle del Cauca, North & Central Cauca and Huila.


Currently


An observation that Polinizaciones has had within our path and process is that many allies come to communities and work with communities to develop communications products that create awareness about regional conflicts, but rarely support these communities with the knowledge and tools to tell their own stories. An example is how numerous people have visited the region of the Quimbo Hydroelectric Project or Putumayo, created films, photographs or articles about these struggles, but always from their view-point as an outsider. In recent years Polinizaciones has developed its own role as facilitators in these communities so that locals appropriate these tools and are able to tell their own stories.


Since Chavez halted the coal extraction, the accompaniment of Polinizaciones with Maikiralasalii has been dedicated to reforestation and agro-ecology projects, audio-visual production and breeding and protection of local endangered species. Earlier this year Venezuelan President Nicolas Maduro announced the expanding of existing and creating new coal mines and also agreements with the Chinese-state owned company Sinohydro to build a thermal coal plant, railways and a port forcing Maikiralasalii to renew their struggle in a now more polarized, unsustainable, consumerist, petroleum-addicted Venezuela.


On the Colombian side of La Guajira, Polinizaciones has just this year started to work closer with the Fuerza de Mujeres Wayuu (the Strength of Wayuu Woman), a social movement bringing together Wayuu woman and men who are organizing to strengthen the role of Wayuu people to exercise their autonomy and self-determination in the their own territory, Wounmainkat.  Through our graphic story-tellings we have helped in consciousness-raising and emphasized the importance of land defense in the territory where Cerrejon continues to attempt to privatize different rivers such as the Rancheria River and the Bruno Arroyo, in order to get to beds of coal under these fluvial streams.




Different Wayuu organizers and communicators have proposed to create a graphic campaign about the history and situation of Wounmainkat, to which we pollinators have responded that Wayuu artists, investigators, educators and organizers must be the ones to create such a tool if it is really to be useful for raising consciousness for Wayuu communities in the Wayuunaiki language. The role of Polinizaciones as outsiders is to accompany and advise the process as well as to facilitate and coordinate the technical aspects of the graphic campaign process, as well as fund-raising to print the maximum amount of posters possible. To facilitate this process we are currently pollinating The True Cost of Coal and Mesoamérica Resiste graphics throughout the entirety of Wounmainkat.


For some years the pollinators of the Colectivo Colibrí have focused their work with the Misak communities near Silvia, Cauca on a variety of issues such as recuperating traditional agricultural techniques, literacy in Spanish, but also working with indigenous educators to develop methodologies and exercises to maintain the Namrik language. While maintaining the work with the Misak, the Colectivo Colibri has relocated to Nariño where they continue to develop the same type of work with indigenous Pasto, Quillacinga and peasant communities.


The Intercultural Communication School of Putumayo has helped local communications collectives like the Cacique Tamaobioy Collective, made up of Inga and Kamsá youth in the Sibundoy Valley. This accompaniment has supported the struggle against mining companies with regional interests like Anglo-American and Anglo Gold Ashanti. An ongoing struggle by the communities in the Sibundoy Valley is against the San Francisco-Mocoa Highway, which would traverse a sacred territory vital for the gathering of medicinal plants.


In 2012 the Intercultural Communications School played a vital role in the Putumayo Minga of Resistance that paralyzed the entire department as 14 Indigenous Nations, Afro-Colombians and peasants united to block the entrances roads connecting Putumayo with the rest of the country demanding greater respect for indigenous autonomy.


In the lower Amazonian Plains, Intercultural Communication School of Putumayo has accompanied the efforts of Nasa communities in forcibly expelling oil companies from their territories, in the process receiving threats and assassination attempts from right-wing paramilitaries. In the outskirts of the city of Puerto Asis, the School is accompanying a displaced Siona community originally from the Putumayo River, displaced due to violence. The killings and displacements happening along the Putumayo River leave no doubt that the IIRSA project to channelize the river so that shipping barges can reach Puerto Asis is simply clearing the region to facilitate this project.


In the Province of Sucumbios in Ecuador, the School is beginning to help specific Cofán communities along the San Miguel River to develop their own educational materials and curriculum who under Ecuadorian law must send their children to schools that are not guaranteeing teachers fluent in the A'ingae language or a curriculum relevant to their world view, resulting in an accelerated assimilation into mainstream, Spanish-speaking Amazonian-mestizo culture.


Finally in Huila in the community of La Jagua, Polinizaciones has helped foster a collective process led by youth and community mothers known as Decolonizing La Jagua. In addition to participating in the regional dam resistance as part of ASOQUIMBO, Polinizaciones has assisted in film screenings with discussions, territorial hikes, mural painting, invisible street theater, a community-led biodiversity photography census (through the online wildlife photography platform, Project Noah), and exchanges with other land defense movements in Colombia.


This process has developed a self-reflective and critical process that examines issues of identity and culture within a population Native to their territory but overwhelmingly Catholic and peasant, not indigenous self-identified. Through these constant efforts, Polinizaciones since 2011 has been an integral part of the communications team of ASOQUIMBO, participating in road blockades, land liberations, and most recently has become part of the national coordination of the Ríos Vivos Movement.


In 2013 Colombian President Juan Manuel Santos announced the agreement between the Colombian State entity CORMAGDALENA and the Chinese state-owned company HydroChina to completely privatize the Magdalena or Yuma River, for the purpose of hydroelectric energy generation (a total of 17 hydroelectric dams) and dredging to permit shipping barges to go upriver.


As a result of this extended threat, Polinizaciones with Decolonizing La Jagua as part of the Ríos Vivos Movement has expanded to begin work with youth in other communities in Huila such as el Pital and Oporapa, where other dams and fracking projects have been announced. In 2014 Decolonizing La Jagua, with support of artivist Carolina Caycedo, led a 5 month arts-education and public action process which offered classes in dance, theater, performance and puppetry in the communities of La Jagua, Oporapa, El Agrado, El Pital and Gigante, culminating in eight direct actions in rural and urban locales; including bridge take-overs, mural paintings, theater performances, and audio-visual productions, all focused on land defense.


Upcoming


This Fall Polinizaciones and the Ríos Vivos Movement will be returning to Turtle Island (North America) with the “Pollinating Rios Vivos” tour to build relations of mutual aid and exchange with other communities in land defense struggles as well as fund-raise for the upcoming processes of land defense. Between October 2015 and January 2016 Polinizaciones will be traveling down the Pacific Coast, later throughout Florida, and tentatively waiting to see the possibility of confirming a short mid-Atlantic tour as well. On this tour there are two main priorities.  The first is to meet, share and create relations of mutual aid and solidarity with Native and other land defense struggles against dams, oil, mining and other extraction interests. The second is to be able to share these experiences in community spaces such a universities, community centers, libraries and other spaces that are also interested in creating relations of solidarity, offering financial support for upcoming projects.


Starting in 2016 we will be continuing the “Pollinating Rios Vivos” tour but now within territories of Ríos Vivos Colombia. For two years we will be visiting all the river basins that are part of the movement; the Upper Yuma & Colombian Massif (Huila), the Upper Cauca (Cauca), the Sinú (Cordoba), the Cauca Canyon (Antioquia) and the Sogamoso and Fonce Rivers (Santander). This two-year territorial journey through dam-impacted communities that have organized and resisted has two purposes as well.


The first purpose of this journey is to help deepen understanding and analysis of local members of the movement through graphic campaign workshops and other education processes, developing community led biodiversity censuses, and supporting these land defenders in the development and use of different artistic direct actions as strategies of land defense. The second component is that this journey through the regional movements that make up the Rios Vivos Movement-Colombia will serve as the preliminary first-hand research for creation of a graphic campaign of the Ríos Vivos Movement.


The creation of this graphic campaign was collectively decided upon during the 3rd Political School of the Ríos Vivos Movement earlier this year. Rios Vivos has decided that the story of our resistance, the destruction of our territories, and our struggle to remain in our regions as the true and only guardians and caretakers of our territories is a story that needs to be told graphically, to strengthen our movement as well as to tell our story to others. This process will be undertaken and led by the Ríos Vivos Movement and allies within Colombia who also are impacted, directly or indirectly, by the destruction of territories through the damming of our rivers.  We are giving ourselves a timeline of five years for the research and subsequent creation of this graphic campaign, which will be collectively reviewed twice a year by the Movement´s political school, in order to horizontally guide its creation as an educational tool by and for our communities in resistance and struggle for the liberation of our rivers and all of Mother Earth.


As if this is not enough, during this time we will not be abandoning the processes we accompany in Putumayo and Wounmainkat - they will be part of this initial two-year journey even though they will not be part of the Ríos Vivos Movement graphic campaign. Within Putumayo we will continue to accompany the educational processes and development of materials and curriculum in the Siona, Cofán and Nasa communities.


In the Wayuu territory (Colombia & Venezuela) will also partake in extended portions of the journey, with the slightly different aspect of assisting and fomenting of a Wayuu-created graphic campaign about Wounmainkat, and the added component of helping accompany processes of recuperation of traditional Wayuu dry lands agriculture. For this last portion we are searching for preferably Native dry land agriculturists who are interested in sharing knowledge and building relations of mutual aid with different Wayuu communities impacted by coal mining in the implementation and recuperation of traditional agriculture.


As in all corners of Mijina, Wounmainkat, Pachamama, Uma Kiwe, Mother Earth, the situation of communities who defend their land and territories is urgent and Polinizaciones and the Ríos Vivos Movement need your help. 

If you are interested here are concrete things you can do to help these communities and territories mentioned above:


-        Invite us to speak and share with your community.


-        Money: unfortunately capitalism has not ended and we need money for direct actions and research journey.


-        Visit with intention: Want to visit these territories? What tools or resources can you offer? Skills building? (some Spanish language proficiency is needed).

- Donate materials: Digital cameras, computers, external disc drives, audio recorders, and carrying cases.
 

- For more information about the Polinizaciones Process please contact: polinizaciones@gmail.com
 

sábado, enero 31, 2015

Mesoamérica Resiste participates in the Daupará Indigenous Film and Video Festival in Colombia: Putumayo Edition

Publication and Photos by--- 2014 Daupará Team, Kinorama CopyLeft & Polinizaciones 

Traditional Lunar Calendar in Sibundoy
In 2009 the idea came up to create an annual exhibition and intercultural dialogue between indigenous filmmakers and the Colombian public, with the intention of contributing to the process of acknowledging and strengthening indigenous peoples. And so the first Indigenous Film and Video Festival in Colombia was born, called “Daupará – To See Beyond”, as an initiative to distribute, reflect on, and encourage processes of indigenous self-representation through film in Colombia. Since then Daupará has alternated between being in Muisca territory one year, where the capital of Bogota is, and every other year within another indigenous territory.

In 2010 it took place in Popayán, at the same time as the First Continental Summit of Indigenous Communication, in the indigenous reserve of La María, Piendamo.
Mural against mining in San Andres.
In 2011 it returned to Bogotá and it gathered together for the first time a delegation of communicators, filmmakers, and academics from different regions of the country for an Encounter of Knowledges that took on topics of audiovisual public policies, indigenous communication, indigenous narratives, independent distribution and communication, amongst others. For 2012, reflecting the current state of the indigenous communication process in Colombia, Daupará was proposed as a space of encounter and articulation between Wayuú communication collectives and was held in La Guajira.
Film screening with elders in Sibundoy.

In 2013, back in Bogotá, Daupará had a wide showing of national and international audiovisual material. Communicators from all over the country participated, from Arhuaco, Wiwa, Uitoto, Kamentza Biya, Kankuamo, Wayuu, Sáliba, and Nasa communities, and it also included participation from other indigenous peoples and lands: Kichwa from Ecuador, Wayuu from Venezuela, Mapuche from Wallmapu and Diné (Navajo) from the US.

Painting classes in Nueva Esperanza
It was at the end of this Festival, in the Encounter of Knowledges, which is a space for dialogue about current topics in indigenous audiovisual communication in Colombia, that all of the indigenous and intercultural collectives participating in Daupará elected the Putumayo School of Intercultural Communication as the host site for the 2014 Festival.

Getting ready to paint in
Nueva Esperanza
Our friends at the Putumayo School of Intercultural Communication organized the Festival with 8 communities from different indigenous groups in the upper, mid, and lower parts of Putumayo, some rural and some urban areas. The 6th Daupará Festival featured local, national, and some international participants, including indigenous communicators, filmmakers, and community leaders. Throughout the Festival there were workshops and presentations of murals, photography, song, dance, and theater. Many of these offerings were from people who came from other places, like Guatemala and Ecuador, and from other parts of Colombia like Chocó, Antioquia, Cauca, Bogotá y Huila.
Communications workshop
 in Nueva Esperanza

Another special feature of this year's Festival was that it was a traveling show, moving between different areas of Putumayo. And the most special part of the Festival was that it was a training process for Nasa, Inga, Cofán, and Siona youth who participated in the whole tour, along with people from other indigenous communities and communication collectives from other parts of Colombia. At every stop of the Festival, the Beehive's Mesoamérica Resiste banner was present, and we did storytelling with it in many locations.

Reading Huellas & Raíces Newspaper
in Nueva Esperanza
The 2014 Daupará Indigenous Film and Video Festival began in the ancestral territory of Carlos Tamabioy in the upper Putumayo region, in the land of the Inga and Kamentza Biya peoples. The festival team arrived in the town of Santiago where they were welcomed by many communities and communication collectives from the region. In this opening space people shared local artistic and cultural initiatives that are underway, like different process of recuperating memory, artistic initiatives, houses of collective thought, cultural festivals, and reading rooms that promote literacy. In this space they also talked about the current struggles against the San Francisco-Mocoa highway, which is part of the Trans-Amazonian highway of the Initiative for the Integration of the Regional Infrastructure of South America (IIRSA), and the soliciting of environmental licenses for gold mining in El Valle by the multinational company AngloGold Ashanti. In upper Putumayo Daupará also visited the communities of San Andrés and Sibundoy, hosting film screenings, screen printing on clothing, and presentations of the Mesoamérica Resiste graphics campaign, all of which helped people share their experiences with each other.
Painting in Kiwnas Çxhab Nasa Reserve

From the Andean region of upper Putumayo, the Festival continued to the Amazonian Footshills of central Putumayo, with the second stop in the capital city of Putumayo, Mocoa, where the Festival took place in Nueva Esperanza, a settlement of displaced people. Nueva Esperanza is a neighborhood made up of 230 displaced indigenous, rural, and afro descendant families from different parts of the country who started arriving there about 13 years ago due to violence related to the armed conflict, drug trafficking, mega development projects and mining.
Mesoamérica Resiste workshop in
Kiwnas Çxhab Nasa Reerve.

The people of Nueva Esperanza have had to organize themselves and have been fighting for their rights since the first families arrived. The Association of Displaced People of Nueva Esperanza has formed committees of elders, women, and children, as well as a newspaper called Huellas y Raíces (Footprints and Roots). Along with learning about Huellas y Raíces and sharing experiences, women, children, and others in the community did a Historical Memory workshop with photography, muralism, and graffiti, and in the evening there were screenings of the different films that were part of the Festival.
About 20 oil 18-wheeler trucks 
cross the Putumayo River daily.

From the Amazonian Foothills the Festival descended finally to the biggest region of Putumayo, the Amazonian plains. In the city of Puerto Asís it crossed the Putumayo river by boat to be able to arrive at its third stop, in the Kiwnas Çxhab Nasa Reserve where during the day there was a discussion about Journalism in Situations of Risk and Territorial Defense, a presentation of the Mesoamérica Resiste graphic was done, the painting of various murals and graffiti occurred and some activities about communication in the form of games with the children of the reserve, at night there were film screenings for the community.
Learning through play in
Nuevo Amanecer

The next day we crossed the Putumayo river again to return to Puerto Asís, this time to the neighborhood of Nuevo Amanecer. Nuevo Amanecer is a community on the outskirts of Puerto Asís founded by indigenous peoples from different parts of the Putumayo river who have been displaced by violence, aerial fumigations, and oil companies. Another project of IIRSA related to the displacement of families that live in Nuevo Amanecer today is the canalization of the Putumayo river, which is to facilitate the entry of large cargo ships into this river that is populated by diverse communities of humans and ecosystems. The inhabitants of Nuevo Esperanza are predominantly Siona, but there are also Embera Chamí, Cofán, Nasa, and Murui families. During the day there was a conversation about the importance of communication in these communities, followed by a presentation of Mesoamérica Resiste. At night there were screenings of a variety of films from the Amazon, as well as from other places.
Embera Chamí music in Nuevo Amanecer.

From Puerto Asís we traveled along the Trans Amazonian highway that is under construction as part of IIRSA, passing through Orito to arrive at the Cofán Ethno-Education Boarding School of Santa Rosa de Guamuez. Along the whole route from Puerto Asís, through Orito and to the Valle del Guamuez and la Hormiga, we could see oil pipelines carrying the poorly named black gold away from the region. Around the community of Santa Rosa del Guamuez there are petroleum extraction installations that belong to ECOPETROL, which is contaminating water and land throughout the Colombian Amazon and in areas very close to indigenous communities where they never did any kind of consultation, much less have they respected the widely recognized opposition to petroleum extraction.
Oil extraction within Cofán community
of Santa Rosa del Guamuez.

Although it's been in existence for 12 years, the Beehive's Plan Colombia graphics campaign still shows a reality that continues to exist in Putumayo's territory. Although happening in a very difficult context, this place had some of the most special elements of the Festival, as this community was the host of the second bi national gathering (Colombia-Ecuador) of the Cofán people which had started just a few days before, and as part of the final activity of the last day, the Daupará Festival arrived and presented to the community the film “Nuestra Madre Tierra Enferma", a co-production between the School of Intercultural Communication and this community. All of the Cofán people present at the gathering were able to view the work that had been done to raise awareness about the problems with the oil companies in this region. The next day there was a communications workshop in the form of games with many children and adolescents from the community, and amongst the games, smiles and acrobatics, the dynamics helped emphasize the importance of communication in all aspects of community life.
Play and communication in
Santa Rosa del Guamuez.



With much sadness and nostalgia of the lovely week, after finishing the tour of the 6th version of Daupará each group and delegate said goodbye and returned to their communities and territories to keep walking the paths we are on, now with new experiences and knowledge to carry with us. For many people on the 2014 Daupará Festival team, this trip was just the beginning of getting to know Putumayo, and some people on the team, including ourselves as bees, are planning other activities with these communities to keep weaving and walking together this year.
Cofán Indigneous Guard.

This year Daupará returns to Bogotá and from there they will decide which territory will host it for 2016. One thing was clear after this last Daupará, that even with less of a budget and less support, the Festival was able to really reach impacted communities and support the process of training indigenous youth from four different areas of Putumayo in communications. We hope the Putumayo School of Intercultural Communication gets recognition for how it has raised the bar of Daupará from being not only a showing of audiovisual material, to also being a process that supports the training of indigenous communicators and raises awareness of the issues and the resistance movements in indigenous communities.

lunes, enero 12, 2015

Mesoamérica Resiste participe en la Muestra de Cine y Video Indígena en Colombia Daupará: Versión Putumayo


Publicación y Fotos de--- Equipo Daupará 2014, Kinorama CopyLeft y Polinizaciones

En el año 2009 surge la idea de crear un escenario de exhibición anual y diálogo intercultural entre realizadores indígenas y público colombino, con la intención de contribuir al proceso de reconocimiento y fortalecimiento de los pueblos indígenas. Nace entonces la Primera Muestra de Cine y Video Indígena en Colombia “Daupará  - Para ver más allá”, como una iniciativa para difundir, reflexionar y fomentar los procesos de auto representación indígena en Colombia. Desde entonces Daupará se alterna realizándose un año en territorio Muisca, donde queda el Capital del gobierno del Estado y el siguiente en territorios de los pueblos indígenas.
Mural en San Andrés.

En 2010 se dio en Popayán, sintonizándose con la Primera Cumbre  Continental de Comunicación Indígena,  en el resguardo indígena de La María, Piendamo. En el 2011 vuelve a Bogotá y reúne por primera vez a una delegación de comunicadores, realizadores y académicos, de diferentes regiones del territorio nacional para un Encuentro de Saberes que abordó temas de política púbica audiovisual y comunicación indígena, narrativas indígenas, difusión y comunicación propia, entre otros.
Proyección de películas en San Andrés.
Para el 2012 de acuerdo con la coyuntura del proceso de comunicación indígena en Colombia se plantea Daupará como un espacio de encuentro y articulación entre los colectivos de comunicación del pueblo Wayuú.

El 2013 de nuevo en Bogotá, Daupará se presenta con una amplia muestra audiovisual nacional e internacional. Participan comunicadores de todo el territorio nacional, del pueblo Arhuaco, Wiwa, Uitoto, Kamentza Biya, Kankuamo, Wayuu, Sáliba, Nasa, y se contó con la participación de realizadores indígenas de otros territorios y pueblos indígenas: Kichwa del Ecuador, Wayuu de Venezuela, Mapuche del territorio Wallmapu, Navajo de Estados Unidos.
Taller de fotografía en Nueva Esperanza.
Es al final de esta Muestra, en el Encuentro de Saberes, el cual es un espacio de diálogo en torno a temáticas coyunturales en la comunicación audiovisual indígena en Colombia, donde con la participación de todos los colectivos indígenas e interculturales que hacen parte del proceso Daupará se elige a la Escuela de Comunicación Intercultural del Putumayo como el anfitrión del festival para el año 2014.


Leyendo Periódico Huellas y Raíces 
en Nueva Esperanza
A través de nuestras amigas de la Escuela de Comunicación Intercultural del Putumayo se articuló la muestra  con ocho comunidades de distintos pueblos indígenas en el alto, medio y bajo Putumayo, unos rurales y otras urbanas. La VI Muestra Daupará contó con invitados locales, nacionales y algunos internacionales, entre los que se encontraban comunicadores indígenas, realizadores audiovisuales y líderes comunitarios. Hubo talleres y trabajos de muralismo, fotografía, canto, danza y teatro la realización de toda la muestra. Muchas de estas personas venían de otras partes como los países de Guatemala y Ecuador, y de Colombia del Chocó, Antioquia, Cauca, Bogotá y el Huila.  

Tejiendo en Resguardo Nasa
Kiwnas Çxhab
Otra particularidad de la Muestra de este año es que fue itinerante y viajó entre distintos territorios de una buena área del departamento. También lo más especial de la Muestra es que todo el recorrido fue un proceso de formación de jóvenes Nasas, Inga, Cofán y Siona que participaron en todo el recorrido al igual de personas de distintos pueblos indígenas y colectivos de comunicación de otras partes del país. Durante todo el recorrido de la Muestra un telón de Mesoamérica Resiste estaba presente y se colgaba y trabajaba en distintas partes.

Mural de Manuel Quintín Lame
en Resguardo Nasa Kiwnas Çxhab
 La Muestra de Cine y Video Indígena en Colombia Daupará 2014 inicio en el territorio ancestral Carlos Tamabioy del Alto Putumayo, en el territorio de los Pueblos Inga y Kamentza Biya.  El equipo de la muestra llegó al municipio de Santiago donde fueron recibidos por las comunidades y colectivos de comunicación de la región. En este primer espacio se compartieron las iniciativas artísticas y culturales locales que se van caminando como procesos de memoria comunicativos y artísticos, casas de pensamiento, festivales y salas de lectura. También en este espacio se informó sobre las luchas vigentes en contra la vía San Francisco-Mocoa que es parte de la carretera Trans Amazónica del IIRSA y las solicitaciones para licencias ambientales para minería de oro por parte de la empresa multinacional Anglo Gold Ashanti en el Valle. En el Alto Putumayo Daupará también visitó a las comunidades de San Andrés y Sibundoy donde se proyectaron películas, se estampo ropa usando la técnica de seriagrafía y se presentó la campaña gráfica de Mesoamérica Resiste, todo esto facilito el compartir de experiencias.

Transporte de camiones sobre el Rio Putumayo. Se trasportan al rededor de 20 vehículos diarios
De la región Andina del Alto Putumayo se siguió al Piedemonte Amazónico del medio Putumayo con la segunda parada en la ciudad capital de Putumayo, Mocoa en donde se realizó en el asentamiento de desplazados Nueva Esperanza. Nueva Esperanza es un barrio conformado por 230 familias indígenas, campesinas y Afrodescendientes desplazadas desde hace unos 13 años de distintos lugares del país las acciones violentas en el marco del conflicto armado, el narcotráfico y los megaproyectos y minería.
Recibimiento en Nuevo Esperanza, 
Puerto Asís.
A raíz de esto las personas de Nueva Esperanza han tenido que organizarse y luchar por sus derechos como lo han hecho desde que llegaron las primeras familias. Además de comités de mayores, mujeres y niños que existen, también está el proceso que se ha forjado del Periódico Huellas y Raíces de la Asociación de Desplazados de Nueva Esperanza con quien se tuvo un intercambio de experiencias. Además de compartir con Huellas y Raíces con mujeres, niños, niñas y otras personas de la comunidad se realizó un taller de Memoría Histórica desde la Fotografía, muralismo y grafitis, ya por la noche hubo proyecciones de las distintas películas que se traían como parte de la Muestra.

Detallando Mesoamérica Resiste
en Nuevo Esperanza.
Del Piedemonte Amazónico finalmente se bajó a la región más grande del Putumayo, la planicie Amazónica. En el municipio de Puerto Asís se cruzó el río Putumayo en lancha para poder llegar a la tercera parada fue en el Resguardo Nasa Kiwnas Çxhab donde de día hubo un conversatorio sobre Cubrimiento Periodístico en Situaciones de Riesgo y Defensa del Territorio, una presentación de la grafica de Mesoamerica Resiste, se pintaron varios murales y grafitis y unas dinámicas de comunicación por medio del juego con los niños y niñas del resguardo y de noche se realizaron las proyecciones del material audio-visual a la comunidad.
Pintando en Nuevo Esperanza.

El día siguiente, cruzamos de nuevo el río Putumayo volviendo a Puerto Asís, esta vez al barrio de Nuevo Amanecer. Nuevo Amanecer es una comunidad en las afueras de Puerto Asís fundado por personas indígenas desplazados de distintas partes del río Putumayo por la violencia, las fumigaciones aéreas y las petroleras. Otro proyecto del IIRSA relacionado con los desplazamientos de las familias que hoy en día viven en Nuevo Amanecer es es proyecto de canalización del río Putumayo que se pretende hacer para facilitar la navegación de buques grandes sobre el río ondulado de poblado por diversas comunidades de humanos y ecosistemas. Aunque la comunidad de predominada mente Siona también hay familias Embera Chamí, Cofán, Inga, Nasa y Murui. Durante el día hubo una conversación de la importancia de la comunicación en los procesos de las comunidades seguido por una presentación de Mesoamérica Resiste. Por la noche hubo proyecciones de una variedad de películas de la Amazonia y también otras personas. 
Pintando en Institución Etnoeducativa
 Santa Rosa del Guamuez

De Puerto Asís salimos por la construcción de carretera Trans Amazónica que se está construyendo como parte del IIRSA pasando por Orito para llegar al Internado Etno Educativo Cofán de Santa Rosa de Guamuez. Por todo el camino de Puerto Asís, pasando por Orito y hasta el Valle del Guamuez y la Hormiga, se veían los oleoductos llevándose el mal llamado oro negro de la región. Alrededor de la comunidad de Santa Rosa del Guamuez  hay instalaciones de extracción petrolera por ECOPETROL, que en toda la Amazonia colombiana sigue contaminado el agua y la tierra y en zonas supremamente cerca de las comunidades indígenas donde no se han hecho ninguna tipo de consulta mucho menos que se ha respetado el deseo ampliamente reconocida de oponerse a la extracción petrolera.
Taller de comunicación lúdica en
Resguardo Cofán de Santa Rosa del Guamuez.

Aunque ya tiene sus 12 años de existencia, la campaña gráfica nuestra de Plan Colombia sigue mostrando una realidad que aún existe en el territorio del Putumayo. Aunque dentro de un contexto muy difícil, este espacio tuvo de los elementos más especiales, desde días antes esta comunidad era anfitrión al segundo encuentro binacional (Colombia-Ecuador) del Pueblo Cofán, y como parte de la actividad final del ultimo día, llegó la Muestra de Daupará y presentó a la comunidad la película “Nuestra Madre Tierras Eferma”, una coproducción entre la Escuela de Comunicación Intercultural y esta comunidad. Todas las personas Cofán presentes en el encuentro pudieron apreciar el trabajo que se realizó para visibilizar la problemática de las petroleras en ese territorio. El día siguiente se realizó el taller de comunicación por medio del juego con muchos niños, niñas y adolescentes de la comunidad, entre los juegos, risas y maromas, se volvió a recalcar la importancia de la comunicación en todo aspecto de la vida comunitaria con solamente dinámicas lúdicas.
Extracción petrolera adentro del
Resguardo Cofán de Santa Rosa del Guamuez.

Con mucha tristeza y nostalgia de la semana tan bonita, al terminar el recorrido de la sexta versión del Daupará cada grupo y delegadx se fue despidiendo para volver a sus comunidades y territorios para seguir por los caminos que vamos andando ahora con nuevas experiencias y conocimientos para llevar al andar. Para varias personas del equipo de la Muestra de Daupará 2014 este recorrido apenas fue un primer conocer del  Putumayo y entre las personas del equipo, incluyendo nosotras las abejas, se está planeando distintos actividades con las comunidades para seguir tejiendo y caminando este año. 

Mural en la Institución Etnoeducativa 
Santa Rosa del Guamuez
Este año Daupará retorna a Bogotá y de allí se decide a qué territorio seguirá para el año 2016. Algo queda claro con este último Daupará, que con menos presupuesto y apoyo se logró hacer una Muestra que realmente llegó a las comunidades impactadas y aportar al proceso de formación en comunicaciones a jóvenes indígenas de cuatro pueblos del Putumayo. Esperamos que se reconozca cómo la Escuela de Comunicación Intercultural del Putumayo subió la barra del Daupará de no ser solamente una muestra de material audiovisual sino un proceso que aporta a la formación de comunicadores indígenas y visibiliza la problemática y procesos de resistencia de las comunidades indígenas.